NGV Triennial | Dulux

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Beauty in diversity

Explore the artworks on display at the NGV Triennial.

Expression through colour

Whether an artwork generates excitement and energy or instills a quiet reflection, the tonal differences in colour used at the NGV exhibition is designed to help the artists convey their message.

Setting the mood

A palette using Dulux colours is at the heart of creating different sensory experiences in the exhibition spaces throughout the gallery's three levels.

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Artistic ambition

The Triennial presents some of the most ambitious artworks and installations that NGV has seen from Ryan Gander's small mousehole to the massive thumbs up by David Wigley at the entrance to the gallery.

Artwork: The end.

Artwork: Really Good.

Creating contrast with Dulux colour

The National Gallery of Victoria and Dulux have a long-standing partnership ensuring major exhibitions are presented against a backdrop of rich Dulux colours such as this palette used for the NGV Triennial.

Explore more NGV exhibitions

Image credits

Sean Fennessy | Conflict Avocados by Fernando Laposse; Block Flowers by Azuma Makoto; Heterobota by Agnieszka Pilat; Very volcanic over this green feather by Petrit Halilaj; installation by Dunne & Raby; What’s left, fig. 2 by Elmgreen & Dragset; The end by Ryan Gander; Bright Hours by Gerard & Kelly; Nowhere to go by Shelia Hicks; installation by Maison Schiaparelli; installation by SMACK; Really Good by David Shrigley; and installation by Tracey Emin.

Lillie Thompson | Liquid Skies/Gwrwynt by Franziska Furter.

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